NYC Groundswell Gathering, July 29, 6 PM

GroundswellNYC notice:

Where do we get the money to do the work we want to do? How do our funding strategies shape and/or reflect our politics and approaches?

Please join us for a local gathering of Groundswell in NYC, where we will discuss the politics and possibilities of funding our oral history and social justice work over happy hour drinks at Baby's All Right

When: Tuesday, July 29, 6 PM

Where: 146 Broadway Brooklyn, NY 11211

RSVP: Zoe West, zoexwest@gmail.com

Hope to see you there!

Decentering Authority: A Public Oral History Workshop

Lots of oral history and narrative-related events in NYC lately. Post courtesy of Interdisciplinary Center for Innovative Theory and Empirics

DECENTERING AUTHORITY: BUILDING A COLLABORATIVE ORAL HISTORY OF MIXED-HERITAGE FAMILIES IN BROOKLYN (AND GETTING COMFORTABLE TALKING ABOUT RACE)

WHO: Sady Sullivan is Director of Oral History at Brooklyn Historical Society where she manages new oral history projects as well as preservation of BHS's oral history collections dating back to 1973.  In addition, Sady works with curators and educators at BHS to produce audio for exhibitions, walking tours, and K-12 curricula.  Her work is influenced by the Buddhist practice of deep listening, and formative experiences at two feminist institutions: The Graduate Consortium in Women's Studies and Babeland.  Sady has radio experience, both pre- and post- podcast era, and Chuck D once said she did a good job on the 1s and 2s. Sady received an MA in Cultural Reporting & Criticism from NYU and a BA in Psychology and Women's Studies from Wellesley College.

WHEN: Thursday, March 27, 2014, 6:00pm - 8:00pm.

WHERE: 509 Knox Hall, 606 W. 122nd St.

ABOUT: Crossing Borders, Bridging Generations (cbbg.brooklynhistory.org) is an oral history project exploring the history and experiences of mixed-heritage people and families. Through sharing stories, we open up intergenerational conversations about preserving cultural heritage in a multicultural democracy. These conversations historicize our understanding of concepts like race, ethnicity, and nationality.  Inspired by feminist methodology and participatory action research, CBBG is designed to be responsive to the concentric conversations happening among narrators, interviewers, archivists, and the public programming audience, as well as resonating scholarship, activism, and media. Sady Sullivan will share the strengths and challenges of CBBG's experimental project design and the pleasures of hosting forums where people practice talking about race/ethnicity (and intersecting identities) together.

This event is free and open to the public and is part of the Paul F. Lazarsfeld Lecture Series.

The Art of Empathy and the Empathy of Art: Oral History Methods and Applications

Next Sunday (July 21), my colleague Maggie Lemere and I are facilitating an oral history workshop. Make it if you can! And make sure to RSVP. Here is the downloadable flier for the event. 

 

The Art of Empathy and the Empathy of Art: Oral History Methods and Applications  

Date: SUNDAY July 21, 12pm - 3pm

Space: Asian American Writers Workshop, 112 W 27th St., Suite 600, New York, NY 10001

In this workshop we will examine oral history theory and methodology through the many creative ways in which it has been practiced. Using empathy, power dynamics, and intersubjectivity as thematic lenses, we will begin the workshop by discussing the meaning of oral history; its differences and similarities to journalism, documentary work, therapy/social work, and other fields that use interviewing; and how oral history methodology may be applied within some of these other fields. Next, drawing upon their experience working on various oral history projects in both the US and abroad, facilitators Cindy Choung and Maggie Lemere will take you through the process of designing an oral history: project planning, interview strategies, interpretation and analysis, creative applications, and archiving. 

Please note that if you have a specific project you’re currently working on, we invite you to offer questions and reflections throughout the workshop based on your work; however, having a current project to discuss is not necessary. By the end of the workshop, you will have a solid foundation from which to further plan and develop potential projects using oral history methods. Works by Anna Deavere Smith, George Plimpton, StoryCorps, Voice of Witness, and more will be discussed.

Please feel free to send us questions or potential topics of interest for the workshop via email. If we are not able to incorporate your suggestion into our discussion, we will still offer our support by contacting you directly. We look forward to learning together and further building a community of thoughtful story-keepers and tellers.

We ask for a $15 suggested donation from participants to cover the honorarium for the trainers and a small portion to cover light refreshments and materials. However, no one will be turned away due to lack of funds, and we would certainly appreciate those who can give a little more.

We also ask that you RSVP to confirm your attendance at the workshop. We will try to keep the workshop to no more than 20 people, and slots will be given out to those who RSVP the earliest. Please RSVP to sukjong33@gmail.com.